With her ongoing ‘AdHack’ series, Stephanie uses salvaged ads as her canvas, painting her own whimsical additions directly onto them to critique duplicitous aspects of consumer culture and the constructs of advertising. Using farce to undermine the pervasive power and influence they wield, she shifts and subverts ad content from being manipulative and insidious to hilarious and absurd, and transforms the viewer/advertiser relationship from predatorial to empowering.